Mihály Víg

Mihaly Vig是貝拉?塔爾的御用作曲人，從《秋天年鑒》開(kāi)始他便擔(dān)當(dāng)了其大部分作品的配樂(lè)工作。?
Mihaly Vig擅長(zhǎng)采用簡(jiǎn)單的配器，這一點(diǎn)恰恰暗合了塔爾式的簡(jiǎn)約主義風(fēng)格。無(wú)論是低調(diào)的電子合成器，樸素的吉他、鋼琴、薩克斯管，抑或簡(jiǎn)單的敲擊樂(lè)器，都只是如留白般地出現(xiàn)在影片之中，絕不喧賓奪主。
Mihály Víg 出生于1957年，布達(dá)佩斯，音樂(lè)家庭。
At the age of 21 he founded the band ?Balaton?, with whom he still performs. Between 1982 and 1985 he was a member of the band ?Trabant?, whose concerts were considered to be legendary events in the Hungarian underground in the second half of the Kádár era.
Víg is best known internationally for his film scores. Along with film directors such as János Xantus, Péter Müller, András Szirtes and Ildikó Szabó, he has worked particularly closely with director Béla Tarr – also as an actor. Víg composed the music for Tarr’s films ??szi Almanach? (1984; Eng. ?Almanac of Fall?), ?Kárhozat? (1988; t: Damnation), ?Az utolsó hajó? (1990; t: The last ship), ?Sátántangó? (1994; Eng. ?Satan’s Tango?) – in which Víg played the main role – ?Utazás az alf?ld?n? (1995; Eng. ?Journey on the Plain?), ?Werckmeister harmóniák? (2000; Eng. ?Werckmeister Harmonies?) and most recently ?A Londoni férfi? (2007; Eng. ?The Man from London?), for which he received the EU XXL film Award in March of this year. As the jury wrote in their evaluation, they honoured ?a composer whose musical work in films – in longstanding collaboration with director Béla Tarr – sets itself apart by cutting down to the essence. Their most recent collaborative work the impact of Víg’s minimalist and unbelievably catchy feel for notes and tones.?