Arild Andersen

挪威貝斯手 阿里爾德?安德森﹝Arild Andersen﹞已經(jīng)證明伴奏樂器在樂團(tuán)中扮演的獨(dú)立性及自由性，在60年代末期的挪威音樂季嶄露頭角的他，后來與Don Cherry、Sonny Rollins以及ECM王牌Jan Garbarek、Paul Bley等人不斷地合作演出，累積相當(dāng)驚人的演奏實(shí)力及音樂創(chuàng)作的泉源。Arild Andersen在搖滾、融合及自由爵士上都能駕馭自如，熱情如火的演出也博得許多專業(yè)樂評(píng)及樂迷的極高贊揚(yáng)。
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Norwegian bassist Arlid Andersen has demonstrated fine skills and stylistic versatility. He's performed admirably in free, jazz-rock, and quasi-new age situations since the '60s. Andersen studied bass and the Lydian Chromatic Concept of Tonal Organization with George Russell, and also played with him during the '60s and '70s. He also studied with Karel Netolicka. Andersen began playing at various festivals in Norway during the late '60s. He was tabbed by Don Cherry for his first appearance outside Norway at the Berliner Jazztage in 1968. Andersen worked with Jan Garbarek from 1969 to 1973, and played with Russell, Sonny Rollins, Karin Krog, Sam Rivers, and Paul Bley at various festivals. He also worked with Bley, Rivers, Joe Farrell, Dave Friedman, Barry Altschul, Steve Kuhn, and Sheila Jordan in New York during the early '70s. Andersen backed vocalist Radka Toneff, and led quartets that featured Knut Riisnaes, Jon Balke, Paal Thowsen, Juhani Aaltonen, and Lars Jansson in the '70s and early '80s. During the '80s, he performed and recorded with Alphonse Mouzon, John Taylor, and Bill Frisell. Andersen led the quintet Masqualero, with Jon Christensen, Balke, Tore Brunborg, and trumpeter Nils Peter Molvaer. They toured England and Europe, while recording during the '80s. Andersen recorded as a leader for ECM in 1991.