Charlie Mariano

小簡(jiǎn)介
Charlie Mariano是六○年代中一位傑出的Session Man，以吹奏高音薩克斯風(fēng)為名的Mariano於五○年代分別待命於Stan Kenton大樂團(tuán)，並且一度成為Shelly Manne這位酷派鼓手的伴奏團(tuán)員。六○年代的Mariano與日本名爵士編曲／鋼琴家Toshiko Akiyoshi結(jié)婚後，依然活躍於樂壇，除了他們夫妻檔的樂團(tuán)之外，於1962至63年，Charlie Mariano更一度成為貝斯手Charles Mingus後期的十人大樂團(tuán)員。
Charlie Marianos career can easliy be divided into two. Early on he was a fixture in Boston, playing with Shorty Sherock (1948), Nat Pierce (1949-50) and his own groups. After gigging with a band co-led by Chubby Jackson and Bill Harris, Mariano toured with Stan Kentons Orchestra (1953-55) which gave him a strong reputation. He moved to Los Angeles in 1956 (working with Shelly Manne and other West Coast jazz stars), returned to Boston to teach in 1958 at Berklee and the following year had a return stint with Kenton. After marrying Toshiko Akiyoshi, Mariano co-led a group with the pianist on and off up to 1967, living in Japan during part of the time and also working with Charles Mingus (1962-63).
The second career began with the formation of his early fusion group Osmosis in 1967. Known at the time as a strong bop altoist with a sound of his own developed out of the Charlie Parker style, Mariano began to open his music up to the influences of folk music from other cultures, pop and rock. He taught again at Berklee, traveled to India and the Far East and in the early 70s settled in Europe. Among the groups Mariano has worked with have been Pork Pie (which also featured Philip Catherine), the United Jazz and Rock Ensemble and Eberhard Webers Colours. Charlie Marianos airy tones on soprano and the nagaswaram (an Indian instrument a little like an oboe) fit right in on some new agey ECM sessions and he also recorded as a leader through the years for Imperial, Prestige, Bethlehem, World Pacific, Candid (with Toshiko Akiyoshi in 1960), Regina, Atlantic, Catalyst, MPS, CMP, Leo and Calig among others.