Huey Lewis

by Stephen Thomas ErlewineHuey Lewis & the News were a bar band that made good. With their simple, straightforward rock & roll, the San Francisco-based group became one of Americas most popular pop/rock bands of the mid-80s. Inspired equally by British pub rock and 60s R&B and rock & roll, the News had a driving, party-hearty spirit that made songs like Workin for a Livin, I Want a New Drug, The Heart of Rock & Roll, Hip to Be Square and The Power of Love yuppie anthems. At their core, the group were a working band, and they knew how to target their audience, writing odes to 9-to-5 jobs and sports. As the decade progressed, the group smoothed out their sound to appeal to the aging baby boomers who adopted them, but by the beginning of the 90s, the appeal of their formula had decreased. Nevertheless, the group remained a popular concert attraction, and they continued to have radio hits on adult contemporary stations.The roots of Huey Lewis & the News lay in Clover, an early-70s country-rock band from San Francisco that featured Lewis (vocals, harmonica) and keyboardist Sean Hopper. Clover moved to England in 1976 upon the urging of Nick Lowe, who believed they could fit into the U.K.s pub rock scene. In a short time, the group cultivated a small following. Lowe produced the groups first single, Chicken Funk, which featured lead vocals by Lewis and, the following year, the band, minus Lewis, supported Elvis Costello on his debut album, My Aim Is True. Polygram released two Clover albums that failed to find an audience and when their leader, John McFee, left the group to join the Doobie Brothers, the band broke up and returned to California. Before returning to the States, Lewis played harmonica on Lowes Labour of Lust and Dave Edmunds Repeat When Necessary, which also featured Lewis song Bad Is Bad.Upon their return to America, Lewis and Hopper began jamming at a Marin County bar called Uncle Charlies, which is where they formed American Express with Mario Cipollina (bass), Johnny Colla (saxophone, guitar) and Bill Gibson (drums), who had all played in Soundhole, one of Van Morrisons backing bands in the late 70s. American Express recorded a disco version of Theme From Exodus, calling it Exodisco. Mercury released the single, which was ignored. In 1980, the group added lead guitarist Chris Hayes and were offered a contract by Chrysalis who requested that the band change their name. The members chose Huey Lewis & the News and the bands eponymous debut was released later that year to little attention.Picture This, the groups second album, was released early in 1982 and the record became a hit on the strength of the Top Ten single Do You Believe in Love, which was written by former Clover producer Robert John Mutt Lange. A couple other minor hits, Hope You Love Me Like You Say You Do and Workin for a Livin followed, and the band began building a strong following by touring heavily. Sports, the groups third album, was released in the fall of 1983 and it slowly became a multi-platinum success, thanks to touring and a series of clever, funny videos that received heavy MTV airplay. Heart and Soul (number eight, 1983), I Want a New Drug (number six, 1984), The Heart of Rock & Roll (number six, 1984) and If This Is It (number six, 1984) all became Top Ten hits, and Sports climbed to number one in 1984; it would eventually sell over seven million copies. Late in 1984, Lewis sued Ray Parker, Jr., claiming that his song Ghostbusters plagiarized I Want a New Drug. The suit was settled out of court. The News had their first number one single in 1985 with The Power of Love, taken from the soundtrack to Back to the Future. Huey Lewis & the News returned with their fourth album, Fore!, in 1986. The record sailed to number one on the strength of five Top Ten singles: Stuck With You (number one, 1986), Hip to Be Square (number three, 1986), Jacobs Ladder (number one, 1987), I Know What I Like (number nine, 1987), and Doing It All for My Baby (number six, 1987). The band was riding high on the charts when they decided to expand their musical reach with 1988s Small World, dipping tentatively into various American roots musics. While the record produced the Top Ten hit Perfect World, it was a commercial disappointment after two chart-topping, multi-platinum albums, stalling at number 11 on the charts and only going platinum.The News took three years to follow up Small World with Hard at Play, which was released on their new label, EMI. Hard at Play failed to break the Top 20 and only produced one hit, Couple Days Off. The groups commercial heyday had clearly passed, and the group took the remainder of the 90s rather easy, touring sporadically and releasing the covers album Four Chords & Several Years Ago in 1994. Their first release for Elektra Records, the album generated one adult contemporary radio hit, But Its Alright, and failed to go gold.