Richard Hawley

小簡(jiǎn)介
前Pulp的吉他手Richard Hawley，玩出的音樂卻不帶一絲Pulp式的神經(jīng)質(zhì)Brit-pop味道，相反呈現(xiàn)的成熟內(nèi)斂Singer Song-writer風(fēng)范。
情形就像當(dāng)年Smashing　Pumkings的吉他手James　Iha那樣，當(dāng)眾人認(rèn)為他會(huì)帶來(lái)一張漂亮Post-Grunge的solo album時(shí)，他卻義無(wú)反顧地走清新folk-based路線。
不過(guò)James Iha的音樂適合在落葉秋天的時(shí)節(jié)聆聽，而Richard的音樂則適合于春末夏初來(lái)感受。
by Erik Hage
With melodic, baritoned anguished that falls somewhere in the neighborhood of Scott Walker, Pulp touring guitarist and former Longpigs member Richard Hawley began his solo career with his self-titled debut in 2001. Hawley was raised in Sheffield, England, as the son of a steelworker and grew up listening to folks such as Roy Orbison and Elvis Presley. He learned guitar at an early age from his father and uncle. During the '90s he built up a reputation as an ace guitarist and, besides his stints in Pulp and Longpigs, did session work for U.K. artists such as Robbie Williams, Beth Orton, and All Saints. He released his self-titled debut in April 2001. Hawley's sophomore effort, Late Night Final, which cloaked his sweet baritone and heartworn songs in lush arrangements, followed in 2002 on Bar-None Records. Hawley toured behind the album, opening for the likes of Coldplay and Pulp. Also in 2002, Hawley and Pulp leader Jarvis Cocker recorded a track for the tribute album Total Lee! The Songs of Lee Hazlewood. The next year, Hawley returned with the personal Lowedges, which was named for a place just outside his native Sheffield. In September 2005, Hawley released his first album for Mute, the bittersweet Cole's Corner. He followed it in 2007 with Lady's Bridge.