Tunng

 小簡(jiǎn)介
Tunng是由來(lái)自倫敦的兩人組Mike Lindsay和Sam Genders組成，深受民謠與IDM的影響，雖然他們的音樂(lè)接近於Folktronica，但是由於晚生了幾年，弦外之音的特別質(zhì)感讓他們的音樂(lè)聽(tīng)起來(lái)涵養(yǎng)豐富，層次堆疊的效果也是溢於言表。雖然因?yàn)殡姎饷裰{的沒(méi)落而得不到普遍的好評(píng)，但是他們的音樂(lè)絕對(duì)能與那些電音前輩比肩。
Though the core members of Tunng, Sam Genders and Mike Lindsay, began their musical partnership composing scores for soft-core porn, they soon decided to form a band that would bring together Genders' gentle vocals with Lindsay's guitar playing and songwriting. To fill out their sound, the duo added more guitars as well as female vocals, turntables, programming, and other percussion. Often labeled as either "future folk" or "folktronica" by critics who had a hard time placing the band's sound, Tunng released a handful of singles in their native Britain before their full-length debut, This Is...Tunng: Mother's Daughter and Other Songs came out in 2005 (the album was later re-released in the U.S. the following year on Ace Fu). In 2006 their follow-up, Comments of the Inner Chorus, hit shelves. By this time more of a collective than anything else, especially because initially Genders had opted out of performing live, the six-piece (Genders and Lindsay plus vocalists Becky Jacobs and Ashley Bates and multi-instrumentalists Martin Smith and Phil Winter) released Good Arrows only the next year.