簡(jiǎn)介： by Sean CooperA member of the thriving Cologne experimental music scene associated with Mouse on Mars, Nonplace Urban Field, Air Liquide, M 更多>
by Sean CooperA member of the thriving Cologne experimental music scene associated with Mouse on Mars, Nonplace Urban Field, Air Liquide, Mike Ink, and the A-Music, Electro Bunker, and Karaoke Kalk labels, Markus Schmickler is one of the more composerly contributors to that conglomerates growing renown. A formal student of electronic composition, Schmickler — along with schoolmates Carsten Shulz (aka C-Shulz), Frank Dommert, and Georg Odijk — was a member of late-80s performance ensembles Pol and Kontakta, two freewheeling experimental/improv groups following in the footsteps of Colognes most notorious musical lab technicians, Can. Schmickler has since released a growing number of critically acclaimed electroacoustic recordings of various levels of abstractness through Mille Plateaux (as Pluramon) and former bandmate Odijks A-Musik label (as Wabi Sabi). Schmicklers Kaspar-Hauser studios (named in reference to the early 19th century tabula rasa child, memorialized by Werner Herzog in his 1974 film, The Mystery of Kaspar Hauser), are located in a disused warehouse space at the outskirts of the city, and provide something of a window on Schmicklers musical conception: vague constructions of random and apparently inert sonic matter re-formed into fascinating environments of ambient and electroacoustic, occasionally beat-oriented electronica. [See Also: Pluramon]
