簡(jiǎn)介：
by David Vinopal
During the folk boom of the late 50s and early 60s, the NLCR introduced the authentic string-band sound of the 1920s a 更多>
by David Vinopal
During the folk boom of the late 50s and early 60s, the NLCR introduced the authentic string-band sound of the 1920s and 30s, in the process educating a generation that had never heard this uniquely American sound of old-time music. While maintaining music with a social conscience, they added guts and reality to the folk movement, performing with humor and obvious reverence for the music.
Mike Seeger, John Cohen, and Tom Paley in 1958 modeled their band after groups like the Skillet Lickers, the Fruit Jar Drinkers, and the Aristocratic Pigs, choosing a name in keeping with the past. When Tracy Schwarz replaced Paley in 1962, The Ramblers added solo songs from the Appalachian folk repertoire, religious and secular, educating a large segment of the American population about traditional music. Folkways recorded the NLCR on five albums in the early 60s, making the Ramblers famous and leading to TV appearances, successful tours, and appearances at the Newport Folk Festival. A songbook with 125 of their songs came out in 1964 and sold well.
The NLCR served at least three important purposes: They brought real folk music to a huge audience, they entertained us well with their highly entertaining acts, and they led us to rediscover the original music on which they had based their band. Tracy Schwarz went on the road with his wife and then his son, gradually leaning toward Cajun squeezebox music; Mike Seeger toured with his wife, Alice, and did many solo spots; and John Cohen continued playing in another string band, while making award-winning aries about the old music.
