Madlib

簡(jiǎn)介: 小簡(jiǎn)介
Madlib本名Otis Jackson,來(lái)自洛城以北四十公里的海濱小鎮(zhèn)奧克斯納德(Oxnard)。Madlib自幼便在黑人文化的熏陶下接觸各種音樂(lè),從爵士、Fusion、布魯斯到瘋克和靈魂樂(lè)老歌,再到他最為癡迷的說(shuō)唱音樂(lè)。Madlib幾乎未曾想過(guò)此后他竟然會(huì)成 更多>

小簡(jiǎn)介
Madlib本名Otis Jackson,來(lái)自洛城以北四十公里的海濱小鎮(zhèn)奧克斯納德(Oxnard)。Madlib自幼便在黑人文化的熏陶下接觸各種音樂(lè),從爵士、Fusion、布魯斯到瘋克和靈魂樂(lè)老歌,再到他最為癡迷的說(shuō)唱音樂(lè)。Madlib幾乎未曾想過(guò)此后他竟然會(huì)成為一名精通各種黑人音樂(lè)的Hip Hop音樂(lè)家。學(xué)生時(shí)代的Madlib和從小一起玩兒大的鄰居一起嘗試著做Hip Hop音樂(lè)時(shí),他便在其中擔(dān)任了各種角色:MC、DJ還有掌握大局的制作人。正是基于此時(shí)的磨練,才讓Madlib如今身懷各項(xiàng)絕技。直到九十年代末期,他才決定終身于音樂(lè)為伴,Madlib的才華也開(kāi)始令世人折服。2002年,Madlib出版了他的首張個(gè)人專輯,而這張名為《Blunted in the Bomb Shelter Mix》的唱片,竟是一張十分精彩的Raggae作品。
2003年,Jazz名廠Blue Note為Madlib出版了專輯《Shades of Blue》,封面是典型的Blue Note式的藍(lán)色套色印刷,而Madlib也專門(mén)為Blue Note精心打造了這樣一張混合了Soul-Jazz、Fusion和J
From the unlikely beach town of Oxnard, 40 miles north of Los Angeles, the multi-dimensional Madlib quickly rose to prominence as one of the most interesting figures in late-90s hip-hop. With his childhood buddies in Lootpack, Madlib quickly made a name for himself as a rapper, producer, and DJ. In particular, his expansive style and deft touch for composition made him one of hip-hops most sought-after producers. An enthusiastic crate-digger, with a deep reverence for jazz and soul, Madlib branched out into a number of ambitious, engaging solo projects. Along with DJ Romes and Wildchild, Madlib formed Lootpack in their hometown of Oxnard. The trio made their debut on Tha Alkaholiks 21 & Over in 1993. They continued doing work for Tha Alkaholiks and other artists before releasing their full-length Soundpieces: Da Antidote! six years later. The album earned solid reviews but went largely unnoticed. Madlib did not, however. After hooking up with Los Angeles DJ Peanut Butter Wolf, Madlib did a lot of production for Wolfs Stones Throw label. In 1999 the label released Quasimotos astonishing The Unseen LP. Doubling as himself and his alter ego Quasimoto, Madlib handled vocals and production duties on the album, a huge critical success. Not resting on his laurels, Madlib followed The Unseen a year later with his Yesterdays New Quintet project. Madlib played all the instruments himself, infusing his exploration of jazz with both style and substance. Another stylistic detour followed in late 2002, when he released Blunted in the Bomb Shelter Mix, a spin through the vault of the classic dub/reggae label Trojan. While continuing on with a massive release schedule and workload, Madlib completed a remix/reinterpretation project for Blue Note, a collaboration with Jay Dee under the Jaylib alias, a collaboration with MF Doom, half the production of fellow Lootpack member Wildchilds solo record, and many other remix and producer tasks — all in 2003. Never one to slow down, the next few years brought a myriad new releases, including The Funky Side of Life from jazz band Sound Directions, Quasimotos The Further Adventures of Lord Quas, his own Beat Konducta, Vols. 1-2, and a collaboration with Talib Kweli, Liberation, which was made available as a free download on the Stones Throw website during the first week of 2007.

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