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從Rickie Lee Jones、Nick Drake的民謠聽(tīng)到80年代的曼徹斯特?fù)u滾隊(duì)伍 The Stone Roses,生性?xún)?nèi)向的Orton總是在自身的生活經(jīng)驗(yàn)與人際關(guān)系中尋找真實(shí)的情感素材,90年代初期,倫敦彌漫acid house節(jié)奏,Orton也跟著 更多>
小簡(jiǎn)介
從Rickie Lee Jones、Nick Drake的民謠聽(tīng)到80年代的曼徹斯特?fù)u滾隊(duì)伍 The Stone Roses,生性?xún)?nèi)向的Orton總是在自身的生活經(jīng)驗(yàn)與人際關(guān)系中尋找真實(shí)的情感素材,90年代初期,倫敦彌漫acid house節(jié)奏,Orton也跟著到舞池呼吸潮流,還與電子音樂(lè)奇才William Orbit合作專(zhuān)輯,隨后,又切換音樂(lè)類(lèi)型,為爵士樂(lè)團(tuán)Red Snapper的專(zhuān)輯客座演唱,95年為Chemical Brothers的首張專(zhuān)輯「Exit Planet Dust」獻(xiàn)唱Alive: Alone,樂(lè)界開(kāi)始注意到這個(gè)清新女聲。
????96年加盟Heavenly音樂(lè)廠牌與Victor Van Vught (Tindersticks, Nick Cave)、Andrew Weatherall (Screamadelica)等制作人合作處女大碟「Trailer Park」,專(zhuān)輯流露出民謠音樂(lè)超強(qiáng)的感動(dòng)力量 ,‘失魂落魄之后'的稱(chēng)號(hào)就從傳媒之間開(kāi)始擴(kuò)散,97年與民謠/爵士傳奇大師Terry Callier合作的EP「Best Bit」為她贏得全英音樂(lè)獎(jiǎng)最佳英國(guó)女歌手與最佳英國(guó)新進(jìn)歌手的提名,同年再次為Chemical Brothers冠軍大碟「Dig Your Own Hole」獻(xiàn)聲,99年與Everything But The Girl團(tuán)員Ben Watt、Mazzy Star團(tuán)員David Roback、Ben Harper、Dr John、Terry Callier合作專(zhuān)輯「Central Reservation」,好評(píng)之聲從英倫傳到美國(guó),娛樂(lè)周刊樂(lè)評(píng)推崇為驚人之作,Orton也獲邀加入Lilith Fair女性搖滾音樂(lè)祭 的巡回陣容,2000年奪下全英音樂(lè)獎(jiǎng)最佳英國(guó)女歌手頭銜,并獲得‘ Mercury音樂(lè)大賞‘的年度專(zhuān)輯提名,‘Mercury音樂(lè)大賞'的評(píng)審稱(chēng)贊Orton 為‘心碎歌聲之后',2001年持續(xù)擴(kuò)散唱作才情,與前Smith吉他手Johnny Marr同臺(tái)演唱。身為Chemical Brothers專(zhuān)輯客座主唱班底的Orton曾在99年為音樂(lè)怪杰Beck專(zhuān)輯「Midnite Vulture」來(lái)一首‘Beautiful Way'。
2002年7月發(fā)表的大碟【Daybreaker】,Beth Orton的民謠傷情張力有更深刻、更真切的展現(xiàn),吉他聲、弦樂(lè)聲跟她的歌聲都互相沾染著彼此的感傷情緒,不斷的浮現(xiàn)出悵然若失的感覺(jué),這樣沉重的情感表達(dá)多少與Orton剛經(jīng)歷喪母之痛有關(guān),盡管有來(lái)自于Chemical Brothers與Everything But The Girl團(tuán)員Ben Watt細(xì)致的意境鋪排,但Orton樸實(shí)的歌聲才是一切感動(dòng)力量的聚焦點(diǎn),她將民謠音樂(lè)的藍(lán)調(diào)成分拉到最高點(diǎn),2002年葛萊美獎(jiǎng)3項(xiàng)提名才子Ryan Adams與Orton合唱首支單曲‘Concrete Sky'聽(tīng)似寫(xiě)意,卻潛藏著失落的思緒 ,Ryan跨刀執(zhí)筆創(chuàng)作的‘OK'則是絕望、傷痛、孤單的藍(lán)調(diào)戀曲,‘Paris Train'、‘Mount Washington'等歌曲都可聽(tīng)見(jiàn)Orton更勝編曲意境的情境殺 傷力的嗓音特質(zhì),Orton還在‘God Song'中與前輩Emmylou Harris一較民謠 藍(lán)調(diào)唱功,Johnny Marr則在多首歌曲中貢獻(xiàn)吉他才情,William Orbit則為‘Think About Tomorrow'擔(dān)任混音。民謠音樂(lè)聽(tīng)似輕描淡寫(xiě),但卻蘊(yùn)藏?zé)o限動(dòng)人情愫的特質(zhì)完全在【Daybreaker】中表露無(wú)遺。
Singer/songwriter Beth Orton combined the passionate beauty of the acoustic folk tradition with the electronic beats of trip-hop to create a fresh, distinct fusion of roots and rhythm. Born in Norwich, England in December 1970, Orton debuted as one half of the duo Spill, a one-off project with William Orbit which released a cover of John Martyn's "Don't Wanna Know About Evil." She continued working with Orbit on his 1993 LP Strange Cargo 3, co-writing and singing the track "Water From a Vine Leaf" before appearing with the group Red Snapper on their first singles "Snapper" and "In Deep." In 1995 Orton teamed with the Chemical Brothers for "Alive: Alone," the ultimate track on their Exit Planet Dust LP. After assembling a backing band comprised of double bassist Ali Friend, guitarist Ted Barnes, keyboardist Lee Spencer and drummer Wildcat Will, she finally issued her 1996 debut EP She Cries Your Name; her stunning full-length bow Trailer Park, produced in part by Andrew Weatherall, followed later in the year. In 1997, Orton released the superb Best Bit EP, a move towards a more organic, soulful sound highlighted by a pair of duets with folk-jazz legend Terry Callier; the full-length Central Reservation followed in 1999. "Stolen Car" was a moderate hit among college radio and tours across the U.S. were also successful. Three years later, Orton emerged refreshed with her third album Daybreaker. This time around, she collaborated with ex-Whiskeytown frontman Ryan Adams and the Chemical Brothers. In early 2006, Orton released her fourth album, Comfort of Strangers. The 14-song set was recorded in two weeks with producer Jim O'Rourke.