Jamiroquai

比起主流的「英國(guó)流行樂(lè)團(tuán)」，Jamiroquai標(biāo)榜的是更純正的英國(guó)放克樂(lè)風(fēng)，因此，在不愿迎合以大肆宣傳為導(dǎo)向的英國(guó)流行音樂(lè)市場(chǎng)的前提下，他們的唱片銷(xiāo)售成績(jī)可想而知并不算是頂尖的。 Jamiroquai 成軍于1992年。他們的經(jīng)典專(zhuān)輯“When You Gonna Learn?”，當(dāng)時(shí)由倫敦一家獨(dú)立廠牌“Acid Jazz”發(fā)行，立刻在地下音樂(lè)界引起廣大的回響。當(dāng)時(shí)在酒吧撐場(chǎng)面的樂(lè)手，所做出的作品可說(shuō)俗濫不堪，且普遍自以為是行家，其實(shí)毫無(wú)思想；Jamiroquai 的出現(xiàn)，改革了當(dāng)時(shí)三流酒吧樂(lè)團(tuán)所造成的不良風(fēng)氣。不僅僅是那些混酒吧的人喜歡他們，一向熱愛(ài)靈魂樂(lè)、放克音樂(lè)、狄斯可舞曲以及一般識(shí)才的樂(lè)迷都一致認(rèn)同Jamiroquai的音樂(lè)成就。在一場(chǎng)唱片公司的爭(zhēng)奪戰(zhàn)后，Jamiroquai 最后選擇和新力音樂(lè)旗下的S2唱片簽下一只由其代為發(fā)行八張專(zhuān)輯的合同。他們的才華、獨(dú)特的樂(lè)風(fēng)及群眾魅力皆受到肯定，這些條件也奠定了他們歌唱事業(yè)恒久不斷的基礎(chǔ)。 主唱Jay Kay性喜高談闊論，有時(shí)也因他直率的個(gè)性而成為爭(zhēng)議性人物。當(dāng)首張專(zhuān)輯 &Emergency On Planet Earth&(地球警訊）一發(fā)行，立刻引起媒體的爭(zhēng)相報(bào)導(dǎo)，并于1993 年 6月榮登全英專(zhuān)輯榜冠軍寶座，也使得Jamiroquai成為該年度英國(guó)首張專(zhuān)輯銷(xiāo)售成績(jī)最佳的團(tuán)體。
 
在'97年紅透半邊天之前，Jamiroquai就已是家鄉(xiāng)英國(guó)當(dāng)?shù)刈钍軞g迎的樂(lè)團(tuán)之一。1993年的&Emergency On Planet Earth&專(zhuān)輯單單在英國(guó)就賣(mài)出五十萬(wàn)張，更以迅雷不及掩耳之勢(shì)登上全英冠軍王座，其銷(xiāo)售成績(jī)更勇踞全年所有新進(jìn)藝人首張專(zhuān)輯銷(xiāo)售紀(jì)錄之冠。他們的第二張專(zhuān)輯“Return Of The Space Cowboy”（太空牛仔回城），再次證明了其充滿靈性熱情的音樂(lè)早已超越語(yǔ)言及文化的藩蘺，在歐洲其它國(guó)家及日本也同樣廣受歡迎，不僅延續(xù)了首張專(zhuān)輯的狂熱銷(xiāo)售量，在日本及歐洲其它地區(qū)造成一片流行風(fēng)潮。這張專(zhuān)輯在英國(guó)本土并獲頒白金唱片銷(xiāo)售成績(jī)證明。而在Jamiroquai 發(fā)行的第三張專(zhuān)輯”Travelling Without Moving”（心馳神往）里，顯而易見(jiàn)的是主唱 Jay Kay延續(xù)以往的洋溢才華，及 Jamiroquai 對(duì)其音樂(lè)完整性的堅(jiān)持與從不妥協(xié)的態(tài)度，這些因素促使他們一如預(yù)期擢升為全球音樂(lè)的新勢(shì)力。席卷全球的熱潮自是不在話下，叫好又叫座的佳績(jī)讓Jamiroquai儼然成為新生代最酷的靈魂舞曲代言人！
 
Jamiroquai的音樂(lè)取自許多不同世代人們的思想、多樣的生活型態(tài)及音樂(lè)偏好，這種受到多方面影響所融合而成的折衷式樂(lè)風(fēng)，也成為這個(gè)團(tuán)體的特色。有些對(duì)非主流音樂(lè)市場(chǎng)樂(lè)風(fēng)改變敏感度較高的人，根本漠視當(dāng)時(shí)所謂主流的音樂(lè)趨勢(shì)，而獨(dú)鐘情于Jamiroquai 獨(dú)特的唱腔。那時(shí)居排行榜十名內(nèi)的單曲，例如 「Too Young To Die」、「Blow Your Mind」以及「Return Of The Space Cowboy」等等，一直到現(xiàn)在，人們依然愛(ài)不釋手，回響熱烈。Jamiroquai 也是極少數(shù)被視為現(xiàn)場(chǎng)演出品質(zhì)保證的團(tuán)體之一，出身于酒吧／舞廳的現(xiàn)場(chǎng)表演場(chǎng)合的他們，摒棄在當(dāng)時(shí)那個(gè)競(jìng)爭(zhēng)激烈的環(huán)境中常期慣用的播放錄音帶或是音樂(lè)錄像帶的草率方式，而改以現(xiàn)玚演出的方式來(lái)帶動(dòng)氣氛；這是他們的中心哲學(xué)，也是他們最終的企盼－馬不停蹄的全世界巡回演出也為他們募集了不少熱情的歌迷。
 
1997年以一首在移動(dòng)地板上邊唱邊跳的「Virtual Insanity 」一舉囊括MTV音樂(lè)錄像帶大獎(jiǎng)９項(xiàng)重要獎(jiǎng)項(xiàng)提名，最后更獲「年度最佳音樂(lè)錄像帶」最大獎(jiǎng)項(xiàng)的Jamiroquai，在歌壇五年的歷練后，終于在該年度獲得各界的高度肯定，不但唱片銷(xiāo)售直破七白金紀(jì)錄，更在1998年象征流行樂(lè)界最高榮譽(yù)的葛萊美獎(jiǎng)上，以英國(guó)外來(lái)樂(lè)團(tuán)之姿一舉拿下「最佳流行樂(lè)團(tuán)」大獎(jiǎng)。Jamiroquai 突破了種族固有制式化成見(jiàn)，以白人樂(lè)團(tuán)的身份創(chuàng)作出圓熟融合 放克、Acid Jazz、靈魂、節(jié)奏藍(lán)調(diào)….等多樣原本被視做黑色藝人所擅長(zhǎng)的各式音樂(lè)元素，而主唱及創(chuàng)作中樞Jay充滿濃郁靈魂味道的高音唱腔，更為Jamiroquai的音樂(lè)添入迥異于其它白人同儕團(tuán)體的律動(dòng)線。此外，樂(lè)團(tuán)自出道以來(lái)即不斷強(qiáng)調(diào)環(huán)保觀念的歌詞，也證明他們是新一代中少見(jiàn)的良心團(tuán)體。Jamiroquai對(duì)自己風(fēng)格的堅(jiān)持，正反映出Jay對(duì)于音樂(lè)創(chuàng)作理念所懷持的極高熱忱，和一向的誠(chéng)實(shí)態(tài)度。 Jamiroquai的音樂(lè)成績(jī)大家有目共睹，他們成熟駕馭誘人音樂(lè)元素的超凡功力，也的確是不同凡響!
 
by Greg Prato
 
Although some choose to pass off Jamiroquai as a Stevie Wonder-clone, the band has amassed a steady stream of hits in its native U.K. and has experienced chart success in just about every other area of the world with an irresistible blend of house rhythms and 70s-era soul/funk. The band has gone though several lineup changes during their career, but through it all their leader has remained singer/songwriter Jason Kay (aka J.K.). Born on December 30, 1969, in Stretford, Manchester, Kays mother, Karen, was a jazz singer who regularly performed at nightclubs, and in the 70s had her own TV show. After leaving home at the age of 15, Kay found himself homeless and in trouble with the law (by committing petty crimes to get by). After a near-death experience (where he was attacked and stabbed) and being arrested for a crime he did not commit, Kay decided to return home, where he chose to pursue a legitimate career over crime: music. Kay didnt have a band to back up his compositions, but he quickly came up with his future projects name, Jamiroquai, a name that combined the name of a Native American tribe (the Iroquois) along with the music-based word, jam.
 
Kays home demos caught the attention of the record label Acid Jazz, which issued Jamiroquais debut single When You Gonna Learn? in late 1992. With Kay enlisting the help of others (Jamiroquais best-known lineup included drummer Derrick McKenzie, keyboard player Toby Smith, bassist Stuart Zender, and vibraphonist Wallis Buchanan), the single was a success and was soon followed by a long-term and lucrative recording contract with Sony. Jamiroquais full-length debut, Emergency on Planet Earth, followed in 1993 and became a major hit in their native England (peaking at number one on the charts), spawning such Top Ten hit singles as Too Young to Die and Blow Your Mind. The bands second release, The Return of the Space Cowboy in 1995, managed to steer Jamiroquai clear of the sophomore jinx that affects so many up-and-coming bands by out-selling its predecessor in Europe and was a sizeable hit in Japan, as well.
 
With most of the world dancing to Jamiroquais beat, America was next in line for the bands third effort, 1996s Traveling Without Moving. The album spawned the worldwide hit Virtual Insanity, for which an award-winning video was filmed and helped the album achieve platinum status in the States by the years end (as well as a highlighted performance at the 1997 MTV Video Music Awards). Despite achieving breakthrough success, bassist Zender opted to leave the group during sessions for its follow-up, which resulted in Kay scraping almost an entire albums worth of new tracks in order to start from scratch with a new bassist (the slot would eventually go to newcomer Nick Fyffe). During the downtime, Jamiroquai contributed a brand-new track, Deeper Underground, to the soundtrack for the 1998 movie Godzilla.
 
But the long wait between albums seemed to kill Jamiroquais momentum in the U.S., where a fourth release overall, 1999s Synkronized, was largely ignored (yet back home and across the globe, it was another major commercial success). Subsequently, it appeared as though the majority of Jamiroquais U.S. media attention focused on non-music related events, such as the band turning down a million-dollar offer to play at a concert on New Years Eve 1999, and when Kay was accused of assaulting a tabloid photographer (with the charges later being dropped). It didnt take Jamiroquai as long the next time around to issue another album, with A Funk Odyssey hitting the racks two years later in 2001. Kay also helmed a volume in the mix-album series Late Night Tales. From there, Jamiroquai spent the next two years gathering material for a sixth studio album. Dynamite, which was finally released in 2005, was written and recorded in Spain, Italy, Costa Rica, Scotland, New York, Los Angeles and Jamiroquais own Buckinghamshire studio.