簡(jiǎn)介： 原名：Franz Xaver Richter，F(xiàn)ranti?ek Xaver Richter國(guó)籍：歐美出生地：霍勒肖夫生日：代表作：七十余部交響曲，大量彌撒曲，經(jīng)文歌等擅長(zhǎng)類(lèi)型：管弦樂(lè)，合唱所屬時(shí)期：古典主義曼海姆古典樂(lè)派逝世日期：Franz (Czech: Franti?ek) 更多>
原名：Franz Xaver Richter，F(xiàn)ranti?ek Xaver Richter
國(guó)籍：歐美
出生地：霍勒肖夫
生日：1709年12月1日
代表作：七十余部交響曲，大量彌撒曲，經(jīng)文歌等
擅長(zhǎng)類(lèi)型：管弦樂(lè)，合唱
所屬時(shí)期：古典主義曼海姆古典樂(lè)派
逝世日期：1789年9月12日
Franz (Czech: Franti?ek) Xaver Richter, known as Fran?ois Xavier Richter in France[1] (December 1, 1709 – September 12, 1789) was an Austro-Moravian[2] singer, violinist, composer, conductor and music theoretician who spent most of his life first in Austria and later in Mannheim and in Strasbourg, where he was music director of the cathedral. From 1783 on Haydn’s favourite pupil Ignaz Pleyel was his deputy at the cathedral.
The most traditional of the first generation composers of the so-called Mannheim school, he was highly regarded in his day as a contrapuntist. As a composer he was equally at home in the concerto and the strict church style.[3] Mozart heard a mass by Richter on his journey back from Paris to Salzburg in 1778 and called it charmingly written.[4] Richter, as a contemporary engraving clearly shows, must have been one of the first conductors to actually have conducted with a music sheet roll in his hand.
Richter wrote chiefly symphonies, concertos for woodwinds, trumpet, chamber and church music, his masses receiving special praise. He was a man of a transitional period, and his symphonies in a way constitute one of the missing links between the generation of Bach and Handel and the Viennese classic. Although sometimes contrapuntal in a learned way, Richter’s orchestral works nevertheless exhibit considerable drive and verve. Until a few years ago Richter "survived" with recordings of his trumpet concerto in D major but recently a number of chamber orchestras and ensembles have taken many of his pieces, particularly symphonies and concertos, in their repertoire.
作品：Orchestral
Symphonies (approximately 80 are extant[20])
Thereof: Grandes Symphonies 1-6 (Paris 1744)[Now published by Artaria Editions]
Thereof: Grandes Symphonies 7-12 (Paris 1744)[Now published by Artaria Editions]
Several concertos for flute and orchestra, oboe and orchestra, and trumpet and orchestra
Sacred music
Kempten Te Deum for soli, choir and orchestra (1745)
39 Masses[21]
La Deposizione della Croce (Oratorio, 1748)
Numerous motets and psalms.
Chamber music
Sonate da camera Op.2 Nr. 1-6 (sonatas for harpsichord, flute and violoncello)
String quartets Op. 5 Nr. 1-6 (1757)
