Burden of a Day

簡(jiǎn)介: Burden of a Day將會(huì)用自己的表演的功力樹(shù)立起自己的名譽(yù)。在歷經(jīng)美國(guó)本土48州和歐洲的巡演中,他們展示出了在同行無(wú)法比擬的精力和風(fēng)度。Burden of a Day從佛羅里達(dá)州的Sarasota開(kāi)始了他們的巡演。在那個(gè)大部分是老齡人口的城市里,往往沒(méi)有冬天的侵襲,而他 更多>

Burden of a Day將會(huì)用自己的表演的功力樹(shù)立起自己的名譽(yù)。在歷經(jīng)美國(guó)本土48州和歐洲的巡演中,他們展示出了在同行無(wú)法比擬的精力和風(fēng)度。Burden of a Day從佛羅里達(dá)州的Sarasota開(kāi)始了他們的巡演。在那個(gè)大部分是老齡人口的城市里,往往沒(méi)有冬天的侵襲,而他們也用熱情消逝了舞臺(tái)上原來(lái)冰冷的空氣。在他們其后的巡演中,即使是最小規(guī)模的演出也能吸引大量的觀眾。
2004年一月成立以來(lái),他們很快的形成了默契,這使得他們這些音樂(lè)人,能夠經(jīng)常在一起,從而形成了簡(jiǎn)明直白的創(chuàng)作特點(diǎn)。而這樣的創(chuàng)作也感染了他們這一流派中的很多樂(lè)隊(duì)。他們的流派卻似乎很復(fù)雜。當(dāng)問(wèn)到他們的流派時(shí),他們可能會(huì)告訴你他們屬于Post Hardcore/Screamo或者其他類(lèi)似的風(fēng)格。但當(dāng)你看到他們的演出時(shí),你就會(huì)對(duì)他們“Post Hardcore”中的“Post”產(chǎn)生懷疑。他們的音樂(lè)很堅(jiān)挺、很勁爆。深刻悠揚(yáng)之中,又伴隨著時(shí)長(zhǎng)來(lái)到的強(qiáng)勁。很多相似的樂(lè)團(tuán)受到了他們的感染,像Thrice,The Bled,Refused,Thursday,Beloved,和All That Remains。Burden of a Day堅(jiān)守著他們所熱愛(ài)的、伴隨他們成長(zhǎng)的音樂(lè),并一定會(huì)繼續(xù)前進(jìn),給下一代的音樂(lè)留下自己的痕跡
by Eduardo Rivadavia
Sarasota, FL's Burden of a Day was formed in 2004 and, perhaps a little precociously, released a debut album, Pilots and Paper Planes, less than two years later through independent Blood & Ink, in the process, earning very mixed reviews for their middling, screamocore style with Christian tendencies. So the quintet carried on rehearsing and toured exhaustively over the next few years, honing their stage presence and material all the while; and by 2008, vocalist Kendall Knepp, sibling guitarists Josh and Mike Sommers, bassist Terry Clark, and drummer Jesse Histetler, were handed a new deal with Rise Records for the release of their slightly improved sophomore album, Blessed Be Our Ever After.

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