This is simply an amazing collection. The original version of Patsy Cline's signature tune "Crazy" is here (the Cline arrangement was reproduced almost note for note from Nelson's record) but every song is of equal quality and shines with the same brilliance of conception. Ironically, the punch of some of these songs is due at least in part to Nelson's restrained delivery; nearly all of these songs have been recorded by other artists, but I'll take these versions any time for the little twists that Nelson gives them. The arrangements are reserved but absolutely dead-on, reflecting producer Allison and session arranger Harold Bradley's decision to "stay the hell out of the way," as Bradley put it, and just let Nelson sing. The two guitars, bass, drums, piano and male and female background singers create the atmosphere and let Nelson's lyrics and idiosyncratic phrasing take center stage. The result is a peerless songwriter's album and, while it's a scant thirty minutes in length, it's so perfect that you'll have no problem listening to it twice.
All these songs are also on the 2CD set "Willie Nelson The Early Years: The Complete Liberty Recordings plus more," which makes available other songs from these same sessions as well as a great deal more. If you have that set, my best advice is to make a CD or tape of these 12 songs in order, sit back and enjoy one of the best albums of Nelson's (or anyone's) career. This is really as good as it gets.
"/>專輯簡介：
Willie Nelson recorded these songs in 1961 and 1962 for Liberty Records under the supervision of更多>
Willie Nelson recorded these songs in 1961 and 1962 for Liberty Records under the supervision of producer Joe Allison, who wisely took a chance on the unknown Nelson and launched the career of one of the greatest writers in any style of music.
This is simply an amazing collection. The original version of Patsy Cline's signature tune "Crazy" is here (the Cline arrangement was reproduced almost note for note from Nelson's record) but every song is of equal quality and shines with the same brilliance of conception. Ironically, the punch of some of these songs is due at least in part to Nelson's restrained delivery; nearly all of these songs have been recorded by other artists, but I'll take these versions any time for the little twists that Nelson gives them. The arrangements are reserved but absolutely dead-on, reflecting producer Allison and session arranger Harold Bradley's decision to "stay the hell out of the way," as Bradley put it, and just let Nelson sing. The two guitars, bass, drums, piano and male and female background singers create the atmosphere and let Nelson's lyrics and idiosyncratic phrasing take center stage. The result is a peerless songwriter's album and, while it's a scant thirty minutes in length, it's so perfect that you'll have no problem listening to it twice.
All these songs are also on the 2CD set "Willie Nelson The Early Years: The Complete Liberty Recordings plus more," which makes available other songs from these same sessions as well as a great deal more. If you have that set, my best advice is to make a CD or tape of these 12 songs in order, sit back and enjoy one of the best albums of Nelson's (or anyone's) career. This is really as good as it gets.
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