—— 邁克?拉扎雷夫
“Beneath the dark veil of the night, covered in an intoxicating sombre solitude, somewhat sorrow and slightly sweet, ‘Dislodged’ is a place of isolation, melancholy, and a bit of heartache. Composed and intended to be listened to as the second half to the ‘Unhinged’ mini-album, this intimate recording of my beloved instrument explores the outer reaches of spatial and reductionist pianism, occasionally echoed by the song of a lonely cello, contributing to the detachment, displacement, and dislocation of a damper pedal, controlling the felt rail which muffles the hammers against the strings. This is where my music lives…”
— Mike Lazarev
"/>專輯簡介：
“在漆黑的夜幕下，籠罩著一股令人陶醉的陰郁的孤獨，有悲傷，也有些許甜蜜，《驅(qū)逐》正是一張充斥著孤獨、憂郁和些許哀痛的專輯。作為《精神錯亂》迷你專輯的下半部分，這組由我鐘愛的樂器所演奏的個人錄音更多>
“在漆黑的夜幕下，籠罩著一股令人陶醉的陰郁的孤獨，有悲傷，也有些許甜蜜，《驅(qū)逐》正是一張充斥著孤獨、憂郁和些許哀痛的專輯。作為《精神錯亂》迷你專輯的下半部分，這組由我鐘愛的樂器所演奏的個人錄音探索了空間的外部延伸和還原主義的演奏技法，偶爾還會有孤獨的大提琴的悲鳴回蕩，結(jié)合著制音器踏板的脫離、位移和錯位所抑制的琴槌敲擊琴弦。這就是我音樂的生命力所在…“
—— 邁克?拉扎雷夫
“Beneath the dark veil of the night, covered in an intoxicating sombre solitude, somewhat sorrow and slightly sweet, ‘Dislodged’ is a place of isolation, melancholy, and a bit of heartache. Composed and intended to be listened to as the second half to the ‘Unhinged’ mini-album, this intimate recording of my beloved instrument explores the outer reaches of spatial and reductionist pianism, occasionally echoed by the song of a lonely cello, contributing to the detachment, displacement, and dislocation of a damper pedal, controlling the felt rail which muffles the hammers against the strings. This is where my music lives…”
— Mike Lazarev
