Padlock on Blues,?John Mayall's?first effort for the label and his first album in four years, finds Mayall pulling out all the stops, contributing 11 new tunes and lining up an impressive array of guest stars, including John Lee Hooker, Coco Montoyo and Ernie Watts. All the extra effort has resulted in a solid record -- but one that's not all that notably different from his Silvertone releases of the early '90s. The main difference is that the production isn't as impeccably clean as it was on the Silvertone albums. That doesn't mean it's grittier since, after all, he's still attempting the same sort of modern electric blues. Still, his performances have enough weight to be enjoyable, even if the songwriting is a little spotty. And, in that sense, it isn't all that different from any latter-day Mayall record -- it's the kind of album that will generally please the faithful, no matter what the faults are. However, it may also frustrate them, since it is no better nor no worse -- simply no different -- than any record he's released since the beginning of the '80s.?

"/>

你所在的位置 > 九酷音樂網(wǎng) > John Mayall歌曲 > Padlock on the Blues

Padlock on the Blues

歌手:John Mayall歌曲

發(fā)行公司:

歌曲數(shù)量:2

發(fā)行時(shí)間:1999-06-01 00:00:00

Padlock on the Blues

專輯簡(jiǎn)介:

Padlock on Blues,?John Mayall's?first effort for the label and his first album in four years, fi更多>

Padlock on Blues,?John Mayall's?first effort for the label and his first album in four years, finds Mayall pulling out all the stops, contributing 11 new tunes and lining up an impressive array of guest stars, including John Lee Hooker, Coco Montoyo and Ernie Watts. All the extra effort has resulted in a solid record -- but one that's not all that notably different from his Silvertone releases of the early '90s. The main difference is that the production isn't as impeccably clean as it was on the Silvertone albums. That doesn't mean it's grittier since, after all, he's still attempting the same sort of modern electric blues. Still, his performances have enough weight to be enjoyable, even if the songwriting is a little spotty. And, in that sense, it isn't all that different from any latter-day Mayall record -- it's the kind of album that will generally please the faithful, no matter what the faults are. However, it may also frustrate them, since it is no better nor no worse -- simply no different -- than any record he's released since the beginning of the '80s.?