Electric Light Orchestra

小簡(jiǎn)介
在英國(guó)發(fā)跡，卻于美國(guó)發(fā)揚(yáng)光大，由主唱兼吉他手Jeff Lynne所領(lǐng)軍的Electric Light Orchestra (E.L.O.)，作品多為概念性專輯，樂(lè)風(fēng)則是以流行及搖滾樂(lè)為主體，運(yùn)用大量的弦樂(lè)器及華麗電子音效，再結(jié)合細(xì)致的合聲，而營(yíng)造出豐富緊湊的音質(zhì)，及迷人的空間層次感與戲劇氣氛，使他們得以在70至80年代間獨(dú)樹(shù)一幟。創(chuàng)造10首排行榜TOP 40暢銷單曲，其中又以“Shine A Little Love”、“Don’t Bring Me Down”、“Hold On Tight”及取自《仙納杜》部冠軍電影原聲帶專輯中的“I’m Alive”、“All Over The World”等曲子，最讓樂(lè)迷耳熟能詳。
步入80年代中期以后，該團(tuán)的作品便逐漸減少， E.L.O.終呈解體狀態(tài)，然而其在樂(lè)迷心中超級(jí)搖滾樂(lè)團(tuán)的地位，卻是永不改變的。這張復(fù)刻盤(pán)專輯除了收錄當(dāng)年top 40 金曲Calling America之外，更超值收錄7首從未在這張專輯曝光的珍貴曲目，包括“Heaven Only Knows”、“Secret Lives”、“Sorrow About to Fall”和《B SIDE》單曲“Caught in a Trap”、“Destination Unknown”以及從未發(fā)行單曲“In for the Kill”和“Opening”，E.L.O.死忠樂(lè)迷千萬(wàn)不容錯(cuò)過(guò)。
The Electric Light Orchestra's ambitious yet irresistible fusion of Beatlesque pop, classical arrangements, and futuristic iconography rocketed the group to massive commercial success throughout the 1970s. ELO was formed in Birmingham, England in the autumn of 1970 from the ashes of the eccentric art-pop combo the Move, reuniting frontman Roy Wood with guitarist/composer Jeff Lynne, bassist Rick Price, and drummer Bev Bevan. Announcing their intentions to "pick up where 'I Am the Walrus' left off," the quartet sought to embellish their engagingly melodic rock with classical flourishes, tapping French horn player Bill Hunt and violinist Steve Woolam to record their self-titled debut LP (issued as No Answer in the U.S.). In the months between the sessions for the album and its eventual release, the Move embarked on their farewell tour, with Woolam exiting the ELO lineup prior to the enlistment of violinist Wilf Gibson, bassist Richard Tandy, and cellists Andy Craig and Hugh McDowell; despite the lengthy delay, Electric Light Orchestra sold strongly, buoyed by the success of the U.K. Top Ten hit "10538 Overture."
However, Wood soon left ELO to form Wizzard, taking Hunt and McDowell with him; Price and Craig were soon out as well, and with the additions of bassist Michael D'Albuquerque, keyboardist Richard Tandy, and cellists Mike Edwards and Colin Walker, Lynne assumed vocal duties, with his Lennonesque tenor proving the ideal complement to his increasingly sophisticated melodies. With 1973's ELO II, the group returned to the Top Ten with their grandiose cover of the Chuck Berry chestnut "Roll Over Beethoven"; the record was also their first American hit, with 1974's Eldorado yielding their first U.S. Top Ten, the lovely "Can't Get It Out of My Head." Despite Electric Light Orchestra's commercial success, the band remained relatively faceless; the lineup changed constantly, with sole mainstays Lynne and Bevan preferring to let their elaborate stage shows and omnipresent spaceship imagery instead serve as the group's public persona. 1975's Face the Music went gold, generating the hits "Evil Woman" and "Strange Magic," while the follow-up, A New World Record, sold five million copies internationally thanks to standouts like "Telephone Line" and "Livin' Thing."
The platinum-selling double-LP, Out of the Blue, appeared in 1977, although the record's success was tempered somewhat by a lawsuit filed by Electric Light Orchestra against their former distributor, United Artists, whom the band charged flooded the market with defective copies of the album. Columbia distributed the remainder of the group's output, issued through their own Jet Records imprint, beginning with 1979's Discovery, which notched the Top Ten entries "Shine a Little Love" and "Don't Bring Me Down." In the wake of ELO's best-selling Greatest Hits compilation, Lynne wrote several songs for the soundtrack of the Olivia Newton-John film Xanadu, including the hit title track. The next proper Electric Light Orchestra album, 1981's Time, generated their final Top Ten hit, "Hold on Tight." Following 1983's Secret Messages, Bevan left the group to join Black Sabbath, although he returned to the fold for 1986's Balance of Power, which despite the presence of the Top 20 hit "Calling America" received little interest from fans and media alike.
However, as Electric Light Orchestra's career descended, Lynne emerged as a sought-after producer, helming well-received comebacks from George Harrison (1987's Cloud Nine) and Roy Orbison (1989's Mystery Girl) and additionally re-teaming with both rock legends as well as Bob Dylan and Tom Petty in the hit supergroup the Traveling Wilburys. Lynne made his solo debut in 1990 with Armchair Theatre but otherwise spent the decade out of the limelight, instead producing material for Joe Cocker, Tom Jones, and Paul McCartney in addition to working on the Beatles' Anthology project. In 1988, meanwhile, Bevan formed Electric Light Orchestra Part II with vocalist Neil Lockwood, keyboardist Eric Troyer, and bassist Pete Haycock; although Lynne filed suit against the group (hence the "Part II" tag), a self-titled LP followed in 1991, with a live collection recorded with the Moscow Symphony Orchestra appearing a year later. Outside of 1994's Moment of Truth, subsequent ELO II releases have been live efforts as well.